In addition, The Mac version of Acoustica 7.3 now runs natively on Apple Silicon processors such as Apple M1. Other workflow improvements include snapping to other objects, region selection, and optional looped playback. The multitrack editor has received a facelift, and it is now possible to add fade-ins or fade-outs directly to clips. A new, high-quality time scale modification algorithm now powers the Time Stretch and Transpose tools. Based on deep learning, Remix is able to split a complete mix in up to five stems. The Remix tool for stem separation is available in both editions and now offers adjustable sensitivity for each stem.

Time-frequency selections in the Premium Edition’s powerful spectral editor can now be resized and moved. More targeted noise reduction is possible with DeWind:Dialogue, DeRustle:Dialogue and DeBuzz:Dialogue. Extract:Dialogue automatically extracts dialogue from a range of common noise sources. In Poly mode 2 this work better, but normal voice stealing and retrigger function for the mode is not consistent, and using the hold pedal also introduce unexspected behavior.Īnd if you in Poly mode 2 play multiple notes with a long release and play a single note while the chord is in the release phase, then the chord notes should be cut, but only one of those voises is cut.Ĭan you describe how you use the sound, when you exsperience the issue? That would be a good idea, if you contact Arturia support, and they need to reproduce the issue.Boasting four new modules and other key features to boot, Acoustica 7.3 is a dialogue post-production powerhouse.Īcoustica Premium Edition 7.3 includes four new plugins for dialogue post-production. In Poly mode 1, then if you in example hold down some notes, then activate the hold pedal and play other notes, then the hold notes are being stolen, at some voice count. I think it would be good, if Arturia had a look at it. More importantly, though, the layout is logical and intuitive, with the top section tabbing between.

I think perhaps there is something odd random behavior going on with the assign modes, the voice stealing and also when using pedal hold while some notes are held down. As befits the name, Pigments’ resizable (50- 200) GUI is eye-catchingly colourful, and full of informative animation, from the oscillator waveforms and filters to the colour-coded envelopes, LFOs and other modulation sources.

Arturia pigments polyphony